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MARRIAGE CEREMONY.

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continued to reside with Taraimano. Their happiness was of short duration; not that death dissolved their union, but that attachment which had been so ardent in the bosom of the young woman before marriage was superseded by a dislike as powerful; and although I never heard the slightest charge of unkindness preferred against the husband, his wife not only treated him with insult, but finally left him. Instances of such unhappy marriages, though not unusual formerly, are now of rare

Occurrence.

It is only among the middle and lower ranks of society that the contract is made by the parties themselves. I am not aware that the husband received any dowry with his wife, unless the rank of her family was inferior to that of his own. The suiter often made presents to the parents of the individual whom he wished to marry, in order to gain their consent.

Among the higher ranks, the individuals themselves were usually passive, and the arrangements were made by their respective friends. They were often betrothed to each other during childhood, and the female thus betrothed was called a vahine pahio. As she grew up, for the preservation of her chastity, a small platform, of considerable elevation, was erected for her abode within the dwelling of her parents. Here she slept, and spent the whole of the time she passed within doors. Her parents, or some member of the family, attended her by night and by day, supplied her with every necessary, and accompanied her whenever she left the house. Some of their traditions warrant the inference that this mode of life, in early years, was observed by other females besides those who were betrothed.

When the time fixed for the marriage arrived, and the parties themselves agreed to the union, great preparations were made for the dances, amusements, and festive entertainment usual on such occasions. A company of Areois generally attended, and, on the day preceding the nuptials, commenced their upaupa, or dance, and pantomimic exhibitions.

On the morning of the marriage-day, a temporary altar was erected in the house of the bride. The relics of her ancestors, perhaps their sculls or bones, were placed upon it, and covered with fine white native cloth; presents of white cloth were also given by her parents, and those relatives of the family who attended.

The sanction of the gods they considered essential to the marriage contract, and these preliminaries being adjusted, the parties repaired to the marae, or temple. The ceremony was generally performed in the family marae, excepting when the parties were connected with the reigning family, which rendered it necessary that it should be solemnized in the temple of Oro or of Tane, the two principal national idols. On entering the temple, the bride and bridegroom changed their dresses, and arrayed themselves in their wedding garments, which were afterward considered sacred; they took their stations in the place appointed for them, the bride on one side of the area, and the bridegroom on the other, five or six yards apart.

The priest now came forward, clad in the habiliments of his office, and, standing before them, addressed the bridegroom usually in the following terms: Eita anei oe a faarue i ta oe vahine?" Will you not cast away your wife?" to which the bridegroom answered, Eita—“ No.” Turning to the bride, he proposed to her the same question, and received a similar answer. The priest then addressed them both, saying, "Happy will it be, if thus with ye two." He then offered a prayer to the gods in their behalf, imploring for them that they might live in affection, and realize the happiness marriage was designed to secure.

The

The relatives now brought a large piece of white cloth, which they call ahu vauvau, spreading cloth: it was spread out on the pavement of the marae. bridegroom and bride took their station upon this cloth, and clasped each other by the hand. The sculls of their ancestors, which were kept carefully preserved by survivors, who considered the spirits of the proprietors of these sculls as the guardian spirits of the family, were sometimes brought out and placed before them.

The relatives of the bride then took a piece of sugarcane, and, wrapping it in a branch of the sacred miro, placed it on the head of the bridegroom, while the newmarried pair stood holding each other's hands. Having placed the sacred branch on the bridegroom's head, they laid it down between them. The husband's relatives then performed the same ceremony towards the bride. On some occasions the female relatives cut their faces and brows with the instrument set with shark's teeth, received the flowing blood on a piece of native cloth,

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and deposited the cloth, sprinkled with the mingled blood of the mothers of the married pair, at the feet of the bride.

By the latter parts of the ceremony, any inferiority of rank that might have existed was removed, and they were considered as equal. The two families also to which they respectively belonged were ever afterward regarded as one. Another large piece of cloth, called the tapoi, covering, was now brought, and the ceremony concluded by the relatives throwing it over the bridegroom and bride.

The cloth used on these occasions, as well as the dress, was considered sacred, and was taken to the king, or appropriated to the use of the Areois. The parties returned to their habitation, where sumptuous feasting followed, the duration of which was according to the rank or means of the families thus united.

Such were the marriage ceremonies formerly observed among the inhabitants of the South Sea islands. They exhibited much that was curious and affecting, especially in the blood of their parents, and the sculls of their ancestors, presented before the parties. The one, perhaps, as the emblem of their union, and the other as an intimation that the inhabitants of the world of spirits were witnesses of the agreement. Considering these and other significant usages, it is surprising how a people, so uncivilized and rude as in many respects they certainly were, should ever have instituted observances so singular and impressive in connexion with the marriage contract.

Notwithstanding all this ceremony and form in entering into the engagement, the marriage tie was probably one of the weakest and most brittle that existed among them: neither party felt themselves bound to abide by it any longer than it suited their inclinations and their convenience. The slightest cause was often sufficient to occasion or to justify their separation, though among the higher classes the relation was nominally continued long after it had actually ceased.

Polygamy was practised more extensively by the Tahitians than by the inhabitants of the Sandwich Islands, and probably prevailed to as great an extent among them as among any of the Polynesian tribes. Many of the raatiras, or inferior chiefs, had two or three wives, who appeared to receive an equal degree of respect and support.

*

With the higher chiefs, however, it was different; although they might, like Hamanemane, keep a number of females, it was rather a system of concubinage, than a plurality of wives, that prevailed among them. The individual to whom the chief was first united in marriage, or whose rank was nearest his own, was generally considered as his wife; and, so long as she lived with her husband, the other females were regarded as inferior. When the rank of the parties was equal, they often separated; the husband took other wives, and the wife other husbands; and if the rank of the wife was in any degree superior to that of her husband, she was at liberty to take as many other husbands as she pleased, although still nominally regarded as the wife of the individual to whom she had been first married.

CHAPTER XI.

Frequency of war in the South Sea islands--Polynesian war-god--Religious ceremonies and human sacrifices, prior to the commencement of hostilitiesNational councils-Mustering of forces - Emblems of the gods taken to the war--Strength of their fleets or armies-The battle of Hooroto-Women engaging in battle--Tahitian banners-Martial music-Modes of attackSingle combats, challenges, &c.-The rauti, or orators of battle-Sacrifice of the first prisoner-Manifestation of affection, and motives to revengeAuguries of the war-Use of the sling-Singular custom of the chiefs in marching to battle-Sanguinary and exterminating character of their engagements-Desolation of the country.

WAR among uncivilized nations is often an object of the highest ambition, the road to most envied distinction, and the source of most ardent delight. It was so among the South Sea islanders. They appear to have been greatly addicted to it from the earliest periods of their history. It occurred very frequently prior to the introduction of Christianity. During the fifteen years Mr. Nott spent in the islands, while the people were pagans, the island of Tahiti was involved in actual war ten different times. The missionaries were painfully familiar with it. It surrounded their dwelling; and the wounded in battle have often, with their wounds fresh and bleeding, sought their houses for relief.

Oro was the principal war-god, but he was not the only deity whose influence was important on these

PREPARATIONS FOR WAR.

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occasions. Tairi, Maahiti, Tetuahuruhuru, Tane, and Rimaroa, "long hand, or arm," the ancient gods of war, were all deities of the first rank, having been created by Taaroa, according to their fabulous traditions, before Oro existed.

In modern times, however, Oro's influence has been principally sought in war. This they imagined was the chief object of his attention; and when it proceeded in its bloodiest forms, it was supposed to afford him the highest satisfaction. Somewhat of his imagined character may be inferred from the fact of his priest requiring every victim offered in sacrifice to be covered with its own blood, in order to his acceptance. The influence ascribed to the gods in war may be in a measure inferred from the frequent and sanguinary appeals made to them at its commencement, and during every period of its progress.

When war was in agitation, a human sacrifice was offered to Oro, and was denominated the Matea: the ceremony connected with it was called-fetching the god to preside over the nuu, or army. The image of the god was brought out; when the victim was offered, a red feather was taken from his person, and given to the party, who bore it to their companions, and considered it as the symbol of Oro's presence and sanction, during their subsequent preparations. The commencement of war, the violating of a treaty, was called the aoti a pito, the cutting of the cord of union; whenever this took place, a human victim was offered by the offending party, to prevent the gods from being angry at their treachery. A human victim, called the Amoatabu, was also offered by the party assailed, to secure protection from the gods, and punishment on their enemies. Another human sacrifice was now taken, called the Maui faatere, and was equivalent to the public declaration of war, and such it was also considered by the opposing party. In 1808, when the late Pomare heard that Taute, his former chief minister, and the most celebrated warrior in the nation, had joined the rebel chiefs, and that the Maui faatere had been offered, and the sanction of the gods thus implored, he was so affected that he wept; and it was in vain that one of his orators, in alluding to this event subsequently, exclaimed, "Who is Taute? He is a man, and not a god, his head

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