The first eight verses read as follows: I. When above, were not raised the heavens: 2. and below on the earth a plant had not grown up; 3. the abyss had not broken open their boundaries. 4. The Chaos (or Water) Tiamat (the Sea) was the producing-mother of the whole of them. [This is the Cosmical Aditi and Sephira.] 5. Those waters at the beginning were ordained; but This was the Chaotic or Ante-genetic Period; the double Swan, and the Dark Swan which becomes white, when Light is created.t The symbol chosen for the majestic ideal of the Universal Principle may perhaps seem little calculated to answer its sacred character. A goose, or even a swan, will, no doubt, be thought an unfit symbol to represent the grandeur of the Spirit. Nevertheless, it must have had some deep Occult meaning, since it figures not only in every Cosmogony and World-religion, but was also chosen by the Crusaders, among the mediæval Christians, as the Vehicle of the Holy Ghost, which was supposed to be leading the army to Palestine, to wrench the tomb of the Saviour from the hands of the Saracen. If we are to credit Professor Draper's statement, in his Intellectual Development of Europe, the Crusaders, under Peter the Hermit, were preceded, at the head of the army, by the Holy Ghost, under the shape of a white gander in the company of a goat. Seb, the Egyptian God of Time, carries a goose on his head; Jupiter assumes the form of a swan, and so also does Brahmâ; and the root of all this is that mystery of mysteries-the Mundane Egg. One should learn the reason of a symbol before depreciating it. The dual element of Air and Water is that of the ibis, swan, goose and pelican, of crocodiles and frogs, lotus flowers and water lilies, etc.; and the result is the choice of the most unseemly symbols by the modern as much as by the ancient Mystics. Pan, the great God of Nature, was generally figured in company with aquatic birds, geese especially, and so were other Gods. If later on, with the gradual degeneration of religion, the Gods to whom geese were sacred, became priapic deities, it does not, therefore, follow that water-fowls were made sacred to Pan and other • Chaldean Account of Genesis, 62, 63. + The Seven Swans that are believed to descend from Heaven on Lake Mânsarovara, are in the popular fancy the Seven Rishis of the Great Bear, who assume that form to visit the locality where the Vedas were written. phallic deities, as some scoffers even of antiquity would have it,* but that the abstract and divine power of Procreative Nature had become grossly anthropomorphized. Nor does the swan of Leda show "priapic doings and her enjoyment thereof," as Mr. Hargrave Jennings chastely expresses it; for the myth is but another version of the same philosophical idea of Cosmogony. Swans are frequently found associated with Apollo, as they are the emblems of Water and Fire, and also of the Sun-light, before the separation of the Elements. Our modern symbologists might profit by some remarks made by a well-known writer, Mrs. Lydia Maria Child, who says: From time immemorial an emblem has been worshipped in Hindûstan as the type of creation, or the origin of life. ... Shiva, or the Mahâdeva, being not only the reproducer of human forms, but also the fructifying principle, the generative power that pervades the Universe. The maternal emblem is likewise a religious type. This reverence for the production of life introduced into the worship of Osiris the sexual emblems. Is it strange that they regarded with reverence the great mystery of human birth? Were they impure thus to regard it? Or are we impure that we do not so regard it? But no clean and thoughtful mind could so regard them. . . . We have travelled far, and unclean have been the paths, since those old anchorites first spoke of God and the soul in the solemn depths of their first sanctuaries. Let us not smile at their mode of tracing the infinite and the incomprehensible Cause throughout all the mysteries of nature, lest by so doing we cast the shadow of our own grossness on their patriarchal simplicity.† * See Petronius, Satyricon, cxxxvi. + Progress of Religious Ideas, I. 17 et seq. SECTION VI. THE MUNDANE EGG. WHENCE this universal symbol? The Egg was incorporated as a sacred sign in the Cosmogony of every people on the earth, and was revered both on account of its form and of its inner mystery. From the earliest mental conceptions of man, it has been known as that which represented most successfully the origin and secret of Being. The gradual development of the imperceptible germ within the closed shell; the inward working, without any apparent outward interference. of force, which from a latent nothing produced an active something, needing naught save heat; and which, having gradually evolved into a concrete, living creature, broke its shell, appearing to the outward senses of all as a self-generated and self-created being; all this must have been a standing miracle from the beginning. The Secret Teaching explains the reason for this reverence by the symbolism of the prehistoric races. In the beginnings, the "First Cause" had no name. Later it was pictured in the fancy of the thinkers as an ever invisible, mysterious Bird that dropped an Egg into Chaos, which Egg became the Universe. Hence Brahmâ was called Kâlahansa, the "Swan in [Space and] Time." Becoming the Swan of Eternity, Brahmâ, at the beginning of each Mahâmanvantara, lays a Golden Egg, which typifies the great Circle, or O, itself a symbol for the Universe and its spherical bodies. A second reason for the Egg having been chosen as the symbolical representation of the Universe, and of our Earth, was its form. It was a Circle and a Sphere; and the ovi-form shape of our Globe must have been known from the beginning of symbology, since it was so universally adopted. The first manifestation of the Kosmos in the form of an Egg was the most widely diffused belief of Antiquity. As Bryant EGG AND ARK. 385 shows,* it was a symbol adopted among the Greeks, the Syrians, Persians, and Egyptians. In the Egyptian Ritual, Seb, the God of Time and of the Earth, is spoken of as having laid an Egg, or the Universe, an "Egg conceived at the hour of the Great One of the Dual Force."† Ra is shown like Brahmâ gestating in the Egg of the Universe. The Deceased is "resplendent in the Egg of the Land of Mysteries." For, this is "the Egg to which is given Life among the Gods."§ "It is the Egg of the great clucking Hen, the Egg of Seb, who issues from it like a hawk." Among the Greeks the Orphic Egg is described by Aristophanes, and was part of the Dionysiac and other Mysteries, during which the Mundane Egg was consecrated and its significance explained; Porphyry also shows it to be a representation of the world: “Ἑρμηνεύει δὲ τὸ ἀὸν τὸν Kóσμov.” Faber and Bryant have tried to show that the Egg typified the Ark of Noah-a wild belief, unless the latter is accepted as purely allegorical and symbolical. It can only have typified the Ark as a synonym of the Moon, the Argha which carries the universal seed of life; but had surely nothing to do with the Ark of the Bible. Anyhow, the belief that the Universe existed in the beginning in the shape of an Egg was general. And as Wilson says: A similar account of the first aggregation of the elements in the form of an Egg is given in all the Purânas, with the usual epithet Haima or Hiranya, "golden," as it occurs in Manu, I. 9.¶ Hiranya, however, means "resplendent," "shining," rather than "golden," as is proven by the great Indian scholar, the late Svâmi Dayanand Sarasvatî, in his unpublished polemics with Professor Max Müller. As said in the Vishnu Purâna: Intellect [Mahat] . . the [unmanifested] gross elements inclusive, formed an Egg. and the Lord of the Universe himself abided in it, in the character of Brahmâ. In that Egg, O Brâhmana, were the continents, and seas and mountains, the planets and divisions of the planets, the gods, the demons and mankind.** Both in Greece and in India the first visible male Being, who united in himself the nature of either sex, abode in the Egg and issued from This "First-born of the World" was Dionysus, with some Greeks; it. the God who sprang from the Mundane Egg, and from whom the Mortals and Immortals were derived. The God Ra is shown, in the Book of the Dead, beaming in his Egg [the Sun], and the stars off as soon as the God Shoo [the Solar Energy] awakens and gives him the impulse.* "He is in the Solar Egg, the Egg to which is given Life among the Gods." The Solar God exclaims: "I am the Creative Soul of the Celestial Abyss. None sees my Nest, none can break my Egg, I am the Lord!"‡ 66 In view of this circular form, the "" issuing from the “O," or the Egg, or the male from the female in the androgyne, it is strange to find a scholar saying, on the ground that the most ancient Indian MSS. show no trace of it, that the ancient Âryans were ignorant of the decimal notation. The 10, being the sacred number of the Universe, was secret and esoteric, both as regards the unit and cipher, or zero, the circle. Moreover, Professor Max Müller tells that "the two words cipher and zero, which are but one, are sufficient to prove that our figures are borrowed from the Arabs."§ Cipher is the Arabic cifron, and means "empty," a translation of the Sanskrit sunyan, or "nought,” says the Professor. The Arabs had their figures from Hindustan, and never claimed the discovery for themselves. As to the Pythagoreans, we need but turn to the ancient manuscripts of Boethius' treatise, De Arithmetica, composed in the sixth century, to find among the Pythagorean numerals the "1" and the "o," as the first and final figures.¶ And Porphyry, who quotes from the Pythagorean Moderatus,** says that the numerals of Pythagoras were "hieroglyphical symbols, by means whereof he explained ideas concerning the nature of things," or the origin of the Universe. Now, if, on the one hand, the most ancient Indian MSS. show as yet no trace of decimal notation in them, and Max Müller states very clearly that until now he has found but nine letters, the initials of the Sanskrit numerals; on the other hand, we have records as ancient, to supply the wanted proof. We speak of the sculptures and the sacred • Ch. xvii. 50, 51. + Ch. xlii. 13. Ch. 1xxx. 9. See Max Müller's "Our Figures." A Kabalist would be rather inclined to believe that as the Arabic cifron was taken from the Indian sunyan, nought, so the Jewish Kabalistic Sephiroth (Sephrim) were taken from the word cipher, not in the sense of emptiness, but in that of creation by number and degrees of evolution. And the Sephiroth are 10 or ·0. See King's Gnostics and their Remains, 370 (2nd ed.). * De Vita Pithag. |