Electronic Hearth: Creating an American Television CultureWe all talk about the "tube" or "box," as if television were simply another appliance like the refrigerator or toaster oven. But Cecilia Tichi argues that TV is actually an environment--a pervasive screen-world that saturates almost every aspect of modern life. In Electronic Hearth, she looks at how that environment evolved, and how it, in turn, has shaped the American experience. Tichi explores almost fifty years of writing about television--in novels, cartoons, journalism, advertising, and critical books and articles--to define the role of television in the American consciousness. She examines early TV advertising to show how the industry tried to position the new device as not just a gadget but a prestigious new piece of furniture, a highly prized addition to the home. The television set, she writes, has emerged as a new electronic hearth--the center of family activity. John Updike described this "primitive appeal of the hearth" in Roger's Version: "Television is--its irresistible charm--a fire. Entering an empty room, we turn it on, and a talking face flares into being." Sitting in front of the TV, Americans exist in a safety zone, free from the hostility and violence of the outside world. She also discusses long-standing suspicions of TV viewing: its often solitary, almost autoerotic character, its supposed numbing of the minds and imagination of children, and assertions that watching television drugs the minds of Americans. Television has been seen as treacherous territory for public figures, from generals to presidents, where satire and broadcast journalism often deflate their authority. And the print culture of journalism and book publishing has waged a decades-long war of survival against it--only to see new TV generations embrace both the box and the book as a part of their cultural world. In today's culture, she writes, we have become "teleconscious"--seeing, for example, real life being certified through television ("as seen on TV"), and television constantly ratified through its universal presence in art, movies, music, comic strips, fabric prints, and even references to TV on TV. Ranging far beyond the bounds of the broadcast industry, Tichi provides a history of contemporary American culture, a culture defined by the television environment. Intensively researched and insightfully written, The Electronic Hearth offers a new understanding of a critical, but much-maligned, aspect of modern life. |
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ELECTRONIC HEARTH: The Acculturation of Television in the United States
Avis d'utilisateur - KirkusPerceptive, subtly nuanced study of how Americans' perceptions of TV have developed over the past five decades. Drawing on magazine and newspaper articles, novels and short stories, advertisements ... Consulter l'avis complet
Electronic hearth: creating an American television culture
Avis d'utilisateur - Not Available - Book VerdictIn an attempt to expand a study of television beyond the content of its programming, Tichi (English, Vanderbilt Univ., and author of Shifting Gears: Technolo gy, Literature, Culture in Modernist ... Consulter l'avis complet
Table des matières
3 | |
1 IntroductionPhasing In | 11 |
2 Electronic Hearth | 42 |
3 Peep Show Private Sector | 62 |
4 Leisure Labor and the LaZBoy | 84 |
5 Drugs Backtalk and Teleconsciousness | 104 |
6 CertificationAs Seen on TV | 129 |
7 Videoportraits and Authority | 155 |
8 Two Cultures and the Battle by the Books | 174 |
9 The ChildA Television Allegory | 191 |
10 Comics Movies Music Stories Art TVonTV Etc | 208 |
233 | |
247 | |
Autres éditions - Tout afficher
Electronic Hearth: Creating an American Television Culture Cecelia Tichi Aucun aperçu disponible - 1992 |
Expressions et termes fréquents
activism activist addict advertising American anxiety argues Arlen become broadcast character child Cold War Colonial Revival consciousness contemporary Corporation critic culture of print David Foster Wallace defamiliarized DeLillo domestic Don Rickles Doonesbury DuMont electronic hearth experience exploit fantasy fiction figure film fireplace Gilligan's Island habitat hyperreal individual individualist instance Joan Rivers journalist La-Z-Boy Lee Harvey Oswald leisure living room look Love Lucy magazine Max Headroom McLuhan medium mother movie novel nuclear on-screen image on-screen world parents photograph political portable portrait president presumed radio reader realm Saturday Evening Post says scene sedentary seen on TV shows simulation simultaneously social Spock suggests television set television's texts tradition tube TV age TV environment TV hearth TV image TV receiver TV screen TV set TV viewer TV watcher TV watching TV-era videoportrait watching television woman writer Yorker