Chess Player's Chronicle, Volume 19R. Hastings., 1861 |
Autres éditions - Tout afficher
Expressions et termes fréquents
ANDERSSEN attack better game Black resigned BRIEN Castles 12 Castles 9 Chess Club CHESS PLAYER'S CHRONICLE DCDO defence eighth check fifth 11 fifth 20 fifth check four moves fourth 18 fourth 20 fourth 9 Gambit Game of Chess Game played Herr FALKBEER Herr HARRWITZ Herr KOLISCH K. B. fifth K. B. seventh K. B. square K. B. third K. B. to Q K. B. to Q. B. K. R. to K Match mate in four Messrs MORPHY's Notes opponents PAUL MORPHY Pawn PHILIDOR PHILIDORIAN piece President Problem Q. B. fourth Q. B. second Q. B. takes Q. R. to K. B. Q. R. to Q Queen R. P. takes Rook second 11 second 20 seventh check square 19 square 20 square check takes K. B. P. takes Kt takes Q takes Q. P. third 12 third 20 third 9 third check White to move wins
Fréquemment cités
Page 244 - FALKBEEB.) 1. P. to K. fourth 2. P. to KB fourth 3. Kt. to KB third 4. P. to KR fourth 6.
Page 184 - SCHULL.) 1. P. to K. fourth 2. K. Kt. to B. third 3. B. to QB fourth 4. P. to Q. Kt. fourth 5.
Page 100 - If a player make a false move — that is, either by playing a man of his own to a square to which it cannot be legally moved, or by capturing an adverse man by a move which cannot be legally made — he must, at the choice of his opponent, and according to the case, either move his own man legally, capture the man legally, or move any other man legally movable.
Page 153 - W. \VAVTE.) 1. P. to K. fourth 2. P. to KB fourth 3. K. Kt. to B. third 4. P. to KR fourth 5.
Page 261 - Charlick.) 1. P. to K. fourth , 2. P. to KB fourth 3. Kt. to KB third 4. B. to QB fourth 5.
Page 261 - К. fourth 2. P. takes P. 3. P. to K. Kt. fourth 4. P. to K. Kt. fifth 5. Kt. to К. В. third White, (Herr 1. P. to K. fourth 2.
Page 116 - Black. (COVENTRY ) 1. P. to K. fourth 2. P. takes P. 3. P. to K. Kt. fourth 4. P. to Kt.
Page 201 - KB third 3. B. to QB fourth 4. P. to Q. Kt. fourth 5. P. to QB third 6.
Page 71 - One thing is certain, that these Chessmen, from their size and workmanship, must have been designed for no ignoble personage, and from the decided style of Greek art visible in the figures, it is a more natural inference to suppose them presented to Charlemagne by a sovereign of the Lower Empire, than that they came to him as an offering from the Moorish princess of Spain, or even from the Caliph Haroun Al Raschid, whose costly gifts to the Emperor of the West, are detailed so minutely by the German...