Art of the Cherokee: Prehistory to the Present

Couverture
University of Georgia Press, 1 janv. 2007 - 295 pages
This illustrated historical overview features some of the finest examples of Cherokee art in private, corporate, and museum collections throughout the world. As Susan C. Power ranges across the rich legacy of Cherokee artistic achievement from the sixteenth century to the present, she discusses baskets, masks, beaded and embroidered garments, jewelry, and paintings. Power draws on archival and scholarly sources and, when possible, the artists' own words as she interprets these objects in terms of their design, craftsmanship, style, and most important, their function and meaning in Cherokee history and culture.

In addition to tracing the development of Cherokee art, Power reveals the wide range of geographical locales from which Cherokee art has originated. These places include the Cherokee's tribal homeland in the Southeast, the tribe's areas of resettlement in the West, and abodes in the United States and beyond to which individuals subsequently moved. Intimately connected to the time and place of its creation, Cherokee art changed along with Cherokee social, political, and economic circumstances. The entry of European explorers into the Southeast, the Trail of Tears, the American Civil War, and the signing of treaties with the U.S. government are among the transforming events in Cherokee art history that Power discusses.

In the twentieth century, as Cherokee artists joined the mainstream art world, they helped shape the Native American Fine Art Movement. Today, Cherokee artists continue to create in an artistic voice that is uniquely Cherokee--a voice both traditional and contemporary.

 

Table des matières

Introduction
1
CHAPTER
11
PART II
43
CHAPTER 3
70
CHAPTER 4
89
PART III
130
CHAPTER 5
179
CHAPTER 6
190
Notes
249
Glossary
261
Works Consulted
267
Index
285
Droits d'auteur

Autres éditions - Tout afficher

Expressions et termes fréquents

À propos de l'auteur (2007)

Susan C. Power is a professor emerita of art at Marshall University in Huntington, West Virginia. Her book Early Art of the Southeastern Indians (Georgia) was selected by the American Library Association as a "Best of the Best from the University Presses" title.

Informations bibliographiques