Handbook of Archaeology: Egyptian-Greek-Etruscan-RomanGeorge Bell, 1878 - 600 pages |
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Page 21
... wife . 3. Guest . 4. Consular place , or place of honour . 6 , 5 , 7 , 8 , 9. Other guests . In some houses , in the dining - room , there was a semicircular couch called Stibadium , suitable to a round table , which Servius tells us ...
... wife . 3. Guest . 4. Consular place , or place of honour . 6 , 5 , 7 , 8 , 9. Other guests . In some houses , in the dining - room , there was a semicircular couch called Stibadium , suitable to a round table , which Servius tells us ...
Page 76
... wife , and placed on a base bearing a Greek in- scription relating the reason and occasion of this monument . It was removed from Philæ by Belzoni , and has been now erected at Kingston Hall , Dorset , by Mr. Bankes . It is very far ...
... wife , and placed on a base bearing a Greek in- scription relating the reason and occasion of this monument . It was removed from Philæ by Belzoni , and has been now erected at Kingston Hall , Dorset , by Mr. Bankes . It is very far ...
Page 90
... wife Regilla , whose name it commonly bore . It lies under the south - west angle of the Acropolis . Its greatest diameter within the walls was 240 feet , and it is calculated to have held about 8000 persons . There were odea in several ...
... wife Regilla , whose name it commonly bore . It lies under the south - west angle of the Acropolis . Its greatest diameter within the walls was 240 feet , and it is calculated to have held about 8000 persons . There were odea in several ...
Page 143
... wife of Crassus , and daughter of Quintus Metellus , who obtained the surname of Creticus , for his conquest of Crete , B.c. 67. It is composed of a circular tower , nearly 70 feet in diameter , resting on a quadrangular basement ...
... wife of Crassus , and daughter of Quintus Metellus , who obtained the surname of Creticus , for his conquest of Crete , B.c. 67. It is composed of a circular tower , nearly 70 feet in diameter , resting on a quadrangular basement ...
Page 167
... wife , and the river god , Ilissus or Cephisus . The metopes , which generally represent single contests between the Athenians and the Centaurs , are in strong high relief , full of bold action and passionate exertion - though this is ...
... wife , and the river god , Ilissus or Cephisus . The metopes , which generally represent single contests between the Athenians and the Centaurs , are in strong high relief , full of bold action and passionate exertion - though this is ...
Autres éditions - Tout afficher
Handbook of Archaeology. Egyptian, Greek, Etruscan, Roman Hodder Michael Westropp Affichage du livre entier - 1867 |
Handbook of Archaeology: Egyptian-Greek-Etruscan-Roman Hodder Michael Westropp Affichage du livre entier - 1878 |
Expressions et termes fréquents
according alphabet ancient antiquity Apollo appears arch architecture artists Athens Augustus bas-reliefs baths bearing beauty born British Museum bronze building built Bust Cæsar called camei cameo celebrated cella character collection colour columns Corinth Corinthian decastyle deceased deities Doric drapery dynasty earliest Egypt Egyptian emperor engraved stones erected Etruria Etruscan example executed exhibit feet figures flourish frequently front gems glyptic art goddess gods Grecian Greece Greek Hadrian head height Hercules Hexastyle hieroglyphics imitation inscriptions intagli intaglio Ionic Italy Julius Cæsar Jupiter kind king later period Lysippus marble monuments obelisks origin ornaments oval painted vases painter Parthenon peripteral Phidias placed Pliny Pompeii portico Praxiteles pyramid Rameses Rameses II reign remarkable representation represented rings Roman Rome round Sard sardonyx scarabæi sculpture seated sepulchral Severus side signet sometimes statuary statues style subjects supposed tablet Tarquinii temple theatre Thebes tion tomb Trajan usually Vatican Venus Vitruvius vixit walls wife
Fréquemment cités
Page 489 - Enos Lases iuvate Neve lue rue Marmar sins incurrere in pleores Satur fu fere Mars limen sali sta berber Semunis Alternis advocapit conctos Enos Marmor iuvato Triumpe. The first five lines were repeated thrice, and Triumpe five times.3 Quintilian tells us that " the hymns of the Salii were hardly intelligible to the priests themselves...
Page 532 - Petronia, a priest's wife, the type of modesty. — In this place I lay my bones ; spare your tears, dear husband and daughters, and believe that it is forbidden to weep for one who lives in God.
Page 516 - DESCRIPTVM ET RECOGNITVM EX TABVLA AENEA QVAE FIXA EST ROMAE IN CAPITOLIO AD ARA (sic) GENTIS IVLIAE LATERE DEXTRO Ora al Museo di Sassari, vedi tav.
Page 149 - They are, under the point of view of religion and philosophy, wholly rotten, and from the sole of the foot to the crown of the head there is no soundness in them.
Page 226 - ... these are the marks, in very manifold gradations, however, of the figures which were called satyrs in the genuine language of Greek poetry and art, from which the Roman poets first ventured to depart, who identified them with the Boman fauni, who are described as half men, half goats, and with horns.
Page 88 - ... were introduced into Rome in the year 390, in order to appease the wrath of the gods for a pestilence then devastating the city, and that ludiones were sent for from Etruria, who acted to the sound of the pipe, in the Etruscan fashion.
Page 298 - All these were discovered in the sepulchres of the ancients, but the circumstances under which they were found differ according to locality. In Greece, the graves are generally small, being designed for single corpses, which accounts for the comparatively small size of the vases discovered in that country. At Athens, the earlier graves are sunk deepest in the soil, and those at Corinth, especially such as contain the early Corinthian vases, are found by boring to a depth of several feet beneath the...
Page 122 - ... have said, could not be inserted without special permission from the emperor. Those whose means or interest were insufficient to obtain a private pipe, were obliged to fetch water from the public fountains. It is calculated by M. Rendelet that the nine aqueducts described by Frontinus furnished Rome with a supply of water equal to that carried down by a river thirty feet broad, by six deep, flowing at the rate of thirty inches a second.
Page 137 - The whole structure, 140 feet in height, was crowned by a chariot group in white marble, in which, probably, stood Mausolos himself, represented after his translation to the world of demigods and heroes.
Page 444 - The hieroglyphic figures were arranged in vertical columns or horizontal lines, and grouped together as circumstances required, so as to leave no spaces unnecessarily vacant. They were written from right to left, or from left to' right. The order in which the characters were to be read, was shown by the direction in which the figures are placed, as their heads are invariably turned towards the reader. A single line of...