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Ir is well that we now return with a knowledge of the myths of the Hindoos and the Egyptians regarding creation. We shall need them to comprehend the meaning of the tableau over the doorway of the east façade of the palace. Many have looked at it since, toward the beginning of the Christian era, the wise Itzaes abandoned the city when it was sacked and devastated by barbaric Nahuatl tribes coming from the south. How many have understood its meaning, and the teaching it embodies?1 Very few, indeed; otherwise they would have respected instead of defacing it.

Among the modern Americanists and professors of American archæology, even those who pretend to be authorities as to things pertaining to the ancient Mayas and their civilization, how many are there who understand and can explain the

1 In order to thoroughly apprehend the full meaning of this most interesting cosmic relation, it is necessary to be versed in occultism, even as taught by the Brahmins and other wise men of India. Occultists will not fail to comprehend the teaching conveyed in this sculpture, which teaching proves that, in very remote ages, the Maya sages had intimate communications with those of India and other civilized countries.

lessons that the Maya philosophers in remote ages have intrusted to stone in this tableau, for the benefit and instruction of the generations that were to follow after them?

No one has ever ventured an explanation of it. And yet it contains no mystery. Its teaching is easily read; the explanatory legends being written in Egyptian characters, that, however, are likewise Maya.

If we ask the Brahmins to explain it, they will tell us: At the beginning of the first chapter of the " Manava-DharmaSastra "—a book compiled, according to Mr. Chézy,' from very ancient works of the Brahmins, about thirteen hundred years before the Christian era-we read: "The Supreme Spirit having resolved to cause to come forth from its own corporeal substance the divers creatures, first produced the waters, and in them deposited a productive seed. This germ became an egg, brilliant as gold, resplendent as a star with thousands of rays; and in this egg was reproduced the Supreme Being, under the form of Brahma, the ancestor of all beings.


An analysis of the tableau shows this quotation from the Brahministic book to be an explanation of it, although not quite complete. But we find the balance of the description in Eusebius's "Evangelical Preparations."

We are told that the Supreme Intelligence first produced the waters. The watery element is represented in the sculptures in Mayach, Egypt, Babylonia, India, etc., by superposed wavy or broken lines These lines form the rim,

or frame, of the tableau, surrounding it nearly, as the water encircles the land. It is well to notice that the upper line of water is opened in the middle, and that each part ter


Chézy, Journal des Savants, 1831; also H. T. Colebrooke.
Manava-Dharma-Sastra, lib. i., Slokas 8-9.

minates in a serpent head; also, that the distance between said serpent heads is two-fifths of the whole line. Is this without significance? Certainly not. Everything has its meaning in the Maya sculptures. Did the learned men of Mayach know that the waters cover about three-fifths of the earth, the land only two-fifths? And why not? And why not? Do we not know

it? Were not their people navigators? It may be asked, What is the meaning of the serpent heads at the extremity of the lines, symbol of water? Are they merely ornamental? By no means. They indicate that said lines represent the ocean, kanah in Maya, the "great, the mighty serpent; image, among the Mayas, Quichés, and other tribes allied to them, as among the Egyptians, of the Creator, whose emblem (says Horapollo) was a serpent of a blue color with yellow scales. Can, we know, means "serpent," but kan is Maya for "yellow." Kanah, the ocean, might therefore be interpreted metaphorically "the powerful yellow serpent." We read in the "Popol-Vuh," sacred book of the Quichés, regarding Gucumatz, the principle of all things, manifesting at the dawn of creation:"All was immobility and silence in the darkness, in the night; only the Creator, the Maker, the Dominator, the Serpent covered with feathers, they who engender, they who create, were on the waters as an ever-increasing light. They are surrounded by green and azure; their name is Gucumatz." Compare this conception of chaos and the dawn of creation among the Quichés, with that of the Hindoos as we read of it in the "Aitarêya-A'ran'ya: "3" Originally this universe was only a soul. Nothing active or inactive existed. The 1 See Appendix, note vii,, p. 186.

Popol Vuh, lib. i., chap. i.


'H. T. Colebrooke, Notice on the Sacred Books of the Hindoos, AitareyaA'ran'ya, lib. ii., iv.

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