Self, Sign, and SymbolMark Neuman, Michael Payne Bucknell University Press, 1987 - 177 pages These essays wrestle with a number of postformalist questions and are ordered so as to present a new argument for the self-sufficiency of the text. Collectively they suggest that recovery of interest in the meaning of texts and the exchange between writer and reader may become the next new criticism. |
Table des matières
Notes on Contributors | 11 |
Dream Symbolism and Literary | 19 |
Opening the Closure and Vice Versa JOSEPH MARGOLIS | 34 |
Droits d'auteur | |
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aesthetic allegory American Ancient Mariner Apollo Apollonian artist Balcony Barthes's Empire biography Braque Braque's Browning Browning's character Charles Sheeler closure Coleridge Coleridge's concept Constance Constance's criticism deconstructive Densher Dionysus dramatic dream Edited Eliot Empire of Signs Endicott essay fiction figure Francis Ponge Freud geisha Georges Braque gloss haiku Hawthorne Hawthorne's human Ibid imagination interpretation James James's Japan Japanese culture Kate Kate's Lacan language literary literature loco-focos meaning Michael Riffaterre Milly Milly's narrative Nathaniel Hawthorne nature Nietzsche Nietzsche's Norbert object observation original painter painting philosophy play poem poet poet's poetic poetry political Ponge Ponge's psychoanalysis Puritan reader reading reality reference Review rhetoric Riffaterre Rime Roland Barthes Salem satori semiology semiotic sense Sheeler signified silence social story structuralist structure symbolic tale theatricality theory things tion trans truth Twice-told Tales under-pattern University Press Upham vision William Carlos Williams Williams Williams's words writing York