Aesthetics and Ethics: Essays at the IntersectionJerrold Levinson Cambridge University Press, 1998 - 328 pages This major collection of essays stands at the border of aesthetics and ethics and deals with charged issues of practical import: art and morality, the ethics of taste, and censorship. As such its potential interest is by no means confined to professional philosophers; it should also appeal to art historians and critics, literary theorists, and students of film. Prominent philosophers in both aesthetics and ethics tackle a wide array of issues. Some of the questions explored in the volume include: Can art be morally enlightening and, if so, how? If a work of art is morally better does that make it better as art? Is morally deficient art to be shunned, or even censored? Do subjects of artworks have rights as to how they are represented? Do artists have duties as artists and duties as human beings, and if so, to whom? How much tension is there between the demands of art and the demands of life? |
Table des matières
aesthetic moral | 26 |
Aesthetic value moral value and the ambitions | 59 |
Art narrative and moral understanding | 126 |
Realism of character and the value of fiction | 161 |
The ethical criticism of art BERYS GAUT | 182 |
How bad can good art be? KAREN HANSON | 204 |
the case of Leni Riefenstahls Triumph | 227 |
The naked truth ARTHUR C DANTO | 257 |
hate speech pornography | 283 |
Bibliography | 315 |
Autres éditions - Tout afficher
Expressions et termes fréquents
able Absolutist action aesthetic judgment aesthetic value appear appreciation argues argument artistic artworks assertion assessment attitudes audience beauty beliefs capacity character claim commitments common concept concern course Criticism depend discussion distinction effect emotions engaged enjoyment essay ethical evaluation evil example experience explain expression fact feel fiction film formal give given ground human Hume idea images imaginative important interest involves issue Journal judg kind knowledge learning least literature lives look matter means ment moral move narrative nature object one's Oxford particular perhaps person Philosophy photographs play political position possible practices preferences present principles problem projection question rational reason relation require response role seems sense share social someone sort standard suggests taste theory thetic things thought tion Triumph true truth understanding University Press