The Art of Living: Aesthetics of the Ordinary in World Spiritual TraditionsState University of New York Press, 30 mars 1995 - 177 pages The Art of Living: Aesthetics of the Ordinary in World Spiritual Traditions is the first truly multi-cultural philosophy of art. It develops a new theory of what art is, and discusses it in relation to Zen Buddhism, Taoism, and Hinduism, as well as Native American, African, and African-American traditions. |
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Page xi
... sense, I believe, is a way of becoming fully present in the real, a way for people to experience oneness with things and with one another. What makes certain activities arts and what makes certain things worls of art, according to the ...
... sense, I believe, is a way of becoming fully present in the real, a way for people to experience oneness with things and with one another. What makes certain activities arts and what makes certain things worls of art, according to the ...
Page xiii
... sense of wonder at and gratitude for our own experience and the lives we make together. Great art has been connected to every great spiritual tradition, because art is always a crystallized devotion to a world in process. The deepest ...
... sense of wonder at and gratitude for our own experience and the lives we make together. Great art has been connected to every great spiritual tradition, because art is always a crystallized devotion to a world in process. The deepest ...
Page 4
... sense in, for example, Yoruba culture, then we are guilty of simply slapping our concepts onto their practices in a way that falsifies those practices. All we then experience is Yoruba culture as a pale reflection of our own culture. It ...
... sense in, for example, Yoruba culture, then we are guilty of simply slapping our concepts onto their practices in a way that falsifies those practices. All we then experience is Yoruba culture as a pale reflection of our own culture. It ...
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Table des matières
| 3 | |
Zen and the The Art of Living | 31 |
Paradox of the BhagavadGita | 45 |
The Future of | 65 |
Art and Tradition in American Popular Music | 83 |
The Art of Knowing | 117 |
The Tao of Technology | 137 |
Concluding Remarks | 157 |
Index | 159 |
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Expressions et termes fréquents
absorbed absorption abstract expressionism achieve action activity aesthetic African-American alien already American argue Arjuna art for art’s art of living art’s sake Arthur Danto artistic process attempt avant-garde art beauty become blues chapter Chinese Chuang Tzu claim concept of art Confucian Confucius consecrated context country music craft Danto Descartes desire Dewey distinction elaborate embodied ends engage environment epistemology everyday example expression fact first fusion George Dickie George Jones goal Heidegger human Japanese tea ceremony knowledge Krsna Kuo Hsiang means ment modernist museum nature notion object one’s oneself ourselves painting particular perform person philosophy physical popular arts practical precisely present problem propositions pursued reflected regard relation religious ritual self-consciousness sense simply social song sort spiritual Taoism tea ceremony tea room theory of art things tion tradition transformation ture Western culture wu wei York Yoruba