The Art of Living: Aesthetics of the Ordinary in World Spiritual TraditionsState University of New York Press, 30 mars 1995 - 177 pages The Art of Living: Aesthetics of the Ordinary in World Spiritual Traditions is the first truly multi-cultural philosophy of art. It develops a new theory of what art is, and discusses it in relation to Zen Buddhism, Taoism, and Hinduism, as well as Native American, African, and African-American traditions. |
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Page xi
... fusion with them and their capacity for, their openness to, that fusion. Art is thus something that calls us both into and out of ourselves as and into what is real. Art is the characteristically human way of being in and loving the ...
... fusion with them and their capacity for, their openness to, that fusion. Art is thus something that calls us both into and out of ourselves as and into what is real. Art is the characteristically human way of being in and loving the ...
Page xiv
... fusion.' Finally, Chapter 7 describes some of the problems that arise from the form of human making called technology. This chapter presents, through Taoism, a way of rethinking these problems so that we solve them by allowing them to ...
... fusion.' Finally, Chapter 7 describes some of the problems that arise from the form of human making called technology. This chapter presents, through Taoism, a way of rethinking these problems so that we solve them by allowing them to ...
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Table des matières
3 | |
Zen and the The Art of Living | 31 |
Paradox of the BhagavadGita | 45 |
The Future of | 65 |
Art and Tradition in American Popular Music | 83 |
The Art of Knowing | 117 |
The Tao of Technology | 137 |
Concluding Remarks | 157 |
Index | 159 |
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Expressions et termes fréquents
absorbed absorption abstract expressionism achieve action activity aesthetic African-American alien already American argue Arjuna art for art’s art of living art’s sake Arthur Danto artistic process attempt avant-garde art beauty become blues chapter Chinese Chuang Tzu claim concept of art Confucian Confucius consecrated context country music craft Danto Descartes desire Dewey distinction elaborate embodied ends engage environment epistemology everyday example expression fact first fusion George Dickie George Jones goal Heidegger human Japanese tea ceremony knowledge Krsna Kuo Hsiang means ment modernist museum nature notion object one’s oneself ourselves painting particular perform person philosophy physical popular arts practical precisely present problem propositions pursued reflected regard relation religious ritual self-consciousness sense simply social song sort spiritual Taoism tea ceremony tea room theory of art things tion tradition transformation ture Western culture wu wei York Yoruba