The Art of Living: Aesthetics of the Ordinary in World Spiritual TraditionsSUNY Press, 1 janv. 1995 - 163 pages The Art of Living: Aesthetics of the Ordinary in World Spiritual Traditions is the first truly multi-cultural philosophy of art. It develops a new theory of what art is, and discusses it in relation to Zen Buddhism, Taoism, and Hinduism, as well as Native American, African, and African-American traditions. |
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Page xii
... already are ; the idea is not to become artists or appreciators of art , but to realize that we are already artists and apprecia- tors of art . When we are listening to popular music on the radio on the way home from work , we are ...
... already are ; the idea is not to become artists or appreciators of art , but to realize that we are already artists and apprecia- tors of art . When we are listening to popular music on the radio on the way home from work , we are ...
Page xiii
... already living . In the context of the recent history of Western philosophy of art , such claims sound , to say the least , eccentric . But the roots of this approach in Western tradition and in world tradi- tions run very deep . In ...
... already living . In the context of the recent history of Western philosophy of art , such claims sound , to say the least , eccentric . But the roots of this approach in Western tradition and in world tradi- tions run very deep . In ...
Page xiv
... already : popular music , and in particular blues and country . I suggest along the way that Confucius , if he were around today , would be a country fan . Chapter 6 discusses the use of art as a source of and an example of knowledge ...
... already : popular music , and in particular blues and country . I suggest along the way that Confucius , if he were around today , would be a country fan . Chapter 6 discusses the use of art as a source of and an example of knowledge ...
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absorbed absorption abstract expressionism achieve action activity aesthetic African-American alien already American argue Arjuna art for art's art of living art's sake artistic process attempt avant-garde art beauty become Bhagavad-Gītā blues chapter Chinese Chuang Tzu claim concept of art Confucian Confucius context country music craft Danto darśana Descartes desire Dewey Dewey's distinction elaborate embodied ends engage environment epistemology everyday example experience expression fact fusion George Dickie George Jones Gītā goal Heidegger human Japanese tea ceremony knowledge Krsna Kuo Hsiang Mahābhārata means ment modernist museum nature notion object one's oneself ourselves painting perform person philosophy physical practical precisely propositions pursued reflection regard relation religious Rikyū ritual self-consciousness sense simply social song sort spiritual Tao Te Ching Taoism tea ceremony tea room theory of art things tion tradition transformation ture Western culture York Yoruba